Solidyne - Digital Power

Audio Inputs	4 balanced MIC inputs (XLR) 2 balanced stereo Line inputs (DIN 5) 3 unbalanced stereo Line inputs (RCA) 1 Digital stereo Line input (USB)
Inputs Level & Impedance	Balanced MIC= -10 dBu/-75 dBu; 150 / 250 Ohms Balanced LINE = -20 dBu / +26 dBu; 600~ 10Kohms Unbalanced LINE = -15 dBu / +12 dBu; 600~ 10Kohms
Phantom Power	Two MIC inputs have 48 V phantom power supply, switchable ON / OFF
Analog Outputs	2 bus stereo outputs; PGM (6,35mm, TRS plug) & REC (RCA connector) Both at + 4 dBm = 0 VU PGM balanced: Max Level +26dBu (10K), +20dBm (600 ohms) REC unbalanced, Max level 20 dBu External Hybrid: unbalanced Mic-Minus out at + 4 dBu
Digital USB Input / Output	USB digital In/Out; Input to channel 5; Output to PGM or REC It uses the K15 Overload recommendation for broadcating; Then, 0 VU is at -15 dB Full Scale level
ON-AIR Signal	ON-AIR Tally Light output (turns on when MIC is open) 12 V CC @ 0,12 amp (two Solidyne On-Air lights)
Monitor & Hybrid Outputs	1 Stereo Studio, 0 dBu for active speakers, muted 1 Stereo Control, 0 dBu for active speakers, muted 1 Stereo Studio Headphones, with Distribution AMP up to 5 headphones, + 10 dBu 1 Stereo Control Headphones, + 10 dBu 1 External Hybrid send (MIX-Minus) +4 dBu / 10K
CUE Monitor	Internal CUE Monitor Amplifier; 250 mW , with speaker inluded
Headroom	22 dB @ LIN to PGM Ref + 4dBu/10 k
Frequency response	20-20.000 Hz +/- 0.25 dB (LIN to PGM) 20-20.000 Hz +/- 0,5 dB (MIC to PGM)
MIC Equalizer	Four Bands MIC EQ with In/Out switch; 80 Hz top flat curve, 160 Hz bell shaped, 4 kHz bell shaped, 8 kHz top flat curve Action + 15 dB / -15 dB
MIC Compressor	Low distortion MIC compressor with In/Out switch. 20 dB max compression. Attack time < 10 ms. Threshold = 0 VU Compression ratio: < 2 dB variation for 15 dB change MIC level
Noise	MIC input, EIN=-120 dBu / 150 ohms LINE input, S/N > 75 dBA
Dynamic Range	From Line to PGM > 90 dBA (CD quality)
Crosstalk	PGM-REC > 65 dBA @ 1 kHz
Distortion	From LINE to PGM out < 0.03 % THD @30-15.000 Hz.
Phase	From Line to PGM, < 3º L&R @50-10.000 Hz
Stereo Tracking	Below 0.2 dB error L/R in fader range 0 to 40 dB
Telephone Hybrid Specs	Two channel telephone active Hybrid: One phone line plus one cellular (Bluetooth linked) Frequency Response: 200 - 5.000 Hz Noise: > 60 dBA S/N Rejection: > 35 dB rejection NULL adjust in front panel preset Preference atenuator: 12 dB local announcer interrupt priority
Telephone input lightning discharge safety	Telephone Hybrid input is transformer floating to meet the Public Telephone Service isolation standards. It is protected with SIOV Varistors against soft lightning discharges. External gas discharge protection is recommended
Talkback Microphone	Included Talkback MIC, with Audio Limiter. Noise Cancelled PZM type. Outputs to Phone Line Hybrid or Studio Speakers & Headphones.
VU-meters & Compression Level	2 x LED VUmeters for PGM. Cuasi peak reading Microphone compressor level meter 0 - 15 dB
AoIP Optional TCP / IP Digital Streaming Output	Ethernet RJ45 connection to a standard LAN (Option /AoIP) Used for sending D612 output to transmitter plant with MP3 Internet streaming or using a 5,8 GHz 802. Link Also can be used for AoIP connection with another console located inside or outside studios It can work in linear PCM at 44.1 & 48 kHz or MP3 VBR On-Air information using GPIO for remote processors
AoIP Delay and user modes	• MP3 Layer 1 (32, 44.1 and 48 kHz) • MP3 Layer 2 (16, 22.05 and 24 kHz) • 16bit PCM uncompressed (8,16,32,44.1 & 48 kHz) Full duplex (transmitting and receiving) Delay using PCM at 48 kHz Fs (recommended) Less than 5 mS Delay using MP3 streaming. Average 100 mS
Power	Switching external power supply 90-240 V, 20VA [28V@0,57A]
Dimensions & Weight	Wide: 405 mm; Deep: 385 mm; Height: 95 mm at rear turret Net Weight: 4,7 Kg

Especificaciones Técnicas
Technical Specifications

D612 Digital & Analog console

Especificaciones Técnicas Technical Specifications

D612 Digital & Analog console

Especificaciones Técnicas
Technical Specifications